PROFESSIONAL AWARDS |
| BACK STAGE WEST GARLAND AWARD FOR EXCELLENCE IN WEST COAST THEATRE |
1998 |
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| The Guardsman |
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| BAY AREA CRITICS CIRCLE BARBARA BLADEN PORTER AWARD FOR CONTINUED CREATIVE EXCELLENCE |
1998 |
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| THEATRE L.A. OVATION AWARD |
1995 |
|
| Man Of La Mancha |
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| BAY AREA THEATRE CRITICS CIRCLE AWARDS |
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| The Seafarer – 2009 |
Grey Gardens – 2009 |
Caroline, or Change – 2009 |
| The Who's Tommy - 1997 |
Man of La Mancha - 1995 |
The Secret Garden - 1995 |
| Ah, Wilderness! - 1994 |
The World Goes 'Round - 1994 |
Breaking the Code – 1988 |
| BAY AREA THEATRE CRITICS CIRCLE NOMINATIONS |
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| The Light in the Piazza – 2010 |
Sunlight – 2010 |
Ragtime - 2003 |
| The Hairy Ape - 2003 |
The Royal Family - 1997 |
A Little Night Music - 1996 |
| All In The Timing - 1996 |
Cabaret - 1996 |
The Play's the Thing - 1995 |
| Lips Together, Teeth Apart -1994 |
Three Hotels - 1994 |
Oh, Kay! - 1994 |
| Les Liaisons Dangereuses -1992 |
Miami Lights – 1991 |
Jacques and His Master - 1990 |
| Hedda Gabler - 1989 |
The Birthday Party - 1987 |
Scar - 1985 |
| Mary Barnes - 1981 |
All Night Long - 1980 |
The Red Snake - 1979 |
| HOLLYWOOD DRAMA-LOGUE CRITICS' AWARDS |
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| Crazy For You - 1996 |
The Play's the Thing - 1995 |
Wilder! Wilder! Wilder! - 1994 |
| Ah, Wilderness! - 1994 |
Breaking the Code - 1988 |
|
| DEAN GOODMAN CHOICE AWARDS |
1999, 2002 |
|
| Ragtime |
The Joy Luck Club |
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EXHIBIT |
| GENSLER AND ASSOCIATES, ARCHITECTS (S. F.) Art Series XIII, Theatre Design |
1986 |
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PUBLICATIONS |
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| Theatre: Collaborative Acts, by Ronald Wainscott & Kathy Fletcher |
| Set design for Waiting for Godot, American Conservatory Theatre, production photograph p. 237 |
| PRINCETON UNIVERSITY PRESS |
2002 |
|
| The Play of Space: Spatial Transformation in Greek Tragedy, by Dr. Rush Rehm |
| Set, Costumes, and Projections for Euripides' Suppliant Women, cover photograph |
| HOWARD UNIVERSITY PRESS |
1996 |
|
| Ancient Songs Set Ablaze: The Theatre of Femi Osofisan, by Dr. Sandra L. Richards |
| Set and costume designs for Farewell to A Cannibal Rage, fig. 7-12 |
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EDUCATION |
| MFA, Scenic Design |
Carnegie-Mellon University |
1982 |
| MA, Theatre Arts |
San Francisco State University |
1979 |
| BFA, Drama |
Illinois Wesleyan University School of Drama |
1975 |
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TEACHING |
| Professor, Set Design, Period Style |
San Francisco State University |
1997- present |
| Lecturer, Stagecraft, Period Style |
San Francisco State University |
1993-1997 |
| Lecturer, Set & Costume Design |
Stanford University |
1995 |
| Lecturer, Scenic Design, Period Style |
San José State University |
1992-1993 |
| Assistant Professor, Set & Costume Design |
Stanford University |
1983-1992 |
| Lecturer, Scenic Design |
City College of San Francisco |
1982 |
| Lecturer, Stage Properties |
San Francisco State University |
1979-1982 |
| Lecturer, Scenic Design |
Santa Rosa Junior College |
1979 |
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TEACHING AWARDS |
| CELEBRATION OF SCHOLARLY AND CREATIVE ACTIVITIES HONOREE |
1996 |
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| San Francisco State University |
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| DEAN'S AWARD FOR EXCELLENCE IN TEACHING |
1986-1987 |
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| Stanford University |
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DESIGNS FOR COLLEGE AND UNIVERSITY THEATRES |
| SAN FRANCISCO STATE UNIVERSITY |
1998-2010 |
|
| Vinegar Tom |
A Streetcar Named Desire |
Julius Caesar |
| M. Butterfly |
The Miser |
The Rover |
| SAN JOSÉ STATE UNIVERSITY |
1992 |
|
| The Gospel at Colonus (Set & Costumes) |
|
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| STANFORD UNIVERSITY DEPARTMENT OF DRAMA |
1983-1992 |
|
| Set and/or Costumes for over 30 productions, including (partial list): |
| Suppliant Women |
The Changeling |
The Normal Heart |
| The Taming of the Shrew |
Tartuffe |
The Colored Museum |
| All's Well that Ends Well |
The School for Women |
Farewell to a Cannibal Rage |
| Macbeth |
The Seagull |
Sweeney Agonistes |
| The Tempest |
Trelawny of the "Wells” |
The Melody that Got Lost |
| Twelfth Night |
La Ronde |
The Illusion |
| As You Like It |
Balm in Gilead |
Rosencrantz and Guildenstern Are Dead |
| Arden of Faversham |
Jacques and His Master |
The Maids |
| PCPA THEATREFEST (Solvang/Santa Maria, CA) |
1985 |
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| Painting Churches |
Gypsy |
|
| THE WESTERN STAGE (Salinas, CA) |
1983-1984 |
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| Foxfire |
The Hostage |
The Importance of Being Earnest |
| The Time of Your Life |
Romeo and Juliet |
As You Like It |
| Broadway |
Annie |
The Sound of Music |
| SOUTHERN CALIFORNIA CONSERVATORY THEATRE (Cerritos/La Mirada) |
1981-1982 |
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| Working |
West Side Story |
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| SUMMER REPERTORY THEATRE (Santa Rosa, CA) |
1979 |
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| A Streetcar Named Desire |
Witness for the Prosecution |
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COLOR CONSULTING |
| GERSHWIN THEATRE (INTERIOR) S. F. Shakespeare Festival / University of San Francisco |
1996 |
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| PRIVATE RESIDENTIAL VICTORIAN EXTERIORS (San Francisco) |
1983-present |
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SET RENTALS |
| THROUGH THE AMERICAN MUSICAL THEATRE OF SAN JOSÉ |
1995-2003 |
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| Papermill Playhouse (NJ) |
N. Carolina Musical Theatre (Raleigh) |
Fifth Avenue Theatre (Seattle) |
| Long Beach Civic Light Opera |
Theatre Under the Stars (Houston) |
McCoy-Rigby Entertainment |
| Music Theatre of Wichita |
Santa Barbara Civic Light Opera |
Bass Performance Hall (Dallas) |
| Music Theatre of Southern Calif. |
Aladdin Theatre (Las Vegas) |
|
| THROUGH THEATREWORKS |
2003 |
|
| Walnut Creek Light Opera |
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