LEAGUE OF RESIDENT THEATRES |
| THEATREWORKS (Palo Alto / Mountain View, CA) |
1991-2010 |
|
| The Light In The Piazza |
Yellow Face |
Grey Gardens |
| Caroline Or Change |
Third |
Into The Woods |
| Ragtime |
The Joy Luck Club |
Cabaret |
| The Secret Garden |
Ah, Wilderness! |
The World Goes 'Round |
| Marvin's Room |
Josephine (world premiere) |
Les Liaisons Dangereuses |
| Once On This Island |
Miami Lights |
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| AMERICAN CONSERVATORY THEATRE (Geary Theatre and Stage Door Theatre, San Francisco) |
1990-2004 |
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| The Real Thing |
Waiting for Godot |
The Guardsman |
| The Royal Family |
Gaslight |
The Play's the Thing |
| Saturday, Sunday, and Monday |
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| MARIN THEATRE COMPANY (Mill Valley, CA) |
1993-2011 |
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| Seven Guitars |
Tiny Alice |
Equivocation |
| Sunlight |
The Seafarer |
Said Saïd |
| Displaced |
Beggar's Holiday |
Fugitive Kind |
| The Hairy Ape |
Company |
One Flew Over the Cuckoo's Nest |
| All In the Timing |
Wilder! Wilder! Wilder! |
Lips Together, Teeth Apart |
| Inspecting Carol |
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| BERKELEY REPERTORY THEATRE |
1986-1999 |
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| Collected Stories |
Our Country's Good |
Hedda Gabler |
| The Birthday Party |
Hard Times |
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| SAN JOSÉ REPERTORY THEATRE |
1985-1999 |
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| The Matchmaker |
The Game of Love and Chance |
The Lady's Not For Burning |
| Holiday |
Laughter on the 23rd Floor |
The Glass Menagerie |
| The Caretaker |
007: Crossfire |
A Man for All Seasons |
| Extremities |
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| STUDIO ARENA THEATRE (Buffalo, N.Y.) |
1991 |
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| Sweet 'N' Hot In Harlem |
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| AMERICAN THEATRE EXCHANGE (Joyce Theatre at Theatre 890, New York City) |
1987 |
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| Hard Times (with Berkeley Repertory Theatre) |
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OTHER REGIONAL THEATRES |
| CENTER REPERTORY THEATRE (Walnut Creek, CA) |
2009 |
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| Witness For The Prosecution |
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| AURORA THEATRE (Berkeley, CA) |
2002-2007 |
|
| Bosoms and Neglect |
Emma |
The Old Neighborhood |
| Therèse Raquin |
Benefactors |
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| AMERICAN MUSICAL THEATRE OF SAN JOSÉ |
1995-2006 |
|
| Gypsy |
On the Twentieth Century |
The Sound of Music |
| The 3hree Musketeers |
The Who's Tommy |
Crazy for You |
| Once On This Island |
A Little Night Music |
Man of La Mancha |
| MAGIC THEATRE (San Francisco, * indicates world premiere) |
1979-2005 |
|
| The Sweetest Swing in Baseball |
The Eviction * |
The American in Me * |
| Kissing the Witch |
Three Hotels |
Playland |
| The End of the Day |
Temptation |
Eastern Standard |
| Jacques and His Master |
The Film Society |
Breaking the Code |
| Interior Decoration * |
Spider Rabbit & The Beard |
Aunt Dan and Lemon |
| Scar * |
Memory Hotel * |
Suicide in B-Flat |
| All Night Long * |
Emperor Norton * |
Magnetic Kisses * |
| The Red Snake * |
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| SAN FRANCISCO SHAKESPEARE FESTIVAL (Gershwin Theatre) |
1994-1997 |
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| Opening Dedication Gala |
The Boys from Syracuse |
Oh, Kay! |
| CALIFORNIA SHAKESPEARE FESTIVAL (Bruns Amphitheatre, Orinda) |
1992-1996 |
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| Merry Wives of Windsor |
Henry V |
Macbeth |
| ARTISTS CONFRONTING AIDS (S. F.) |
1993 |
|
| Queen of Angels (Set & Costumes) |
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| FOLGER SHAKESPEARE THEATRE (Washington, D.C.) |
1993 |
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| Suppliant Women |
Set, Costumes, & Projections (with Stanford University) |
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| J. PAUL GETTY MUSEUM (Malibu, CA) |
1992 |
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| The Odyssey (with the Mark Taper Forum) |
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| THEATRE RHINOCEROS (San Francisco) |
1979-1992 |
|
| T-shirts |
Bent (Set & Costumes) |
Passing |
| CALIFORNIA THEATRE CENTER (Sunnyvale) |
1990 |
|
| Undine |
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| EUREKA THEATRE COMPANY (San Francisco) |
1980-1989 |
|
| Tales of the Lost Formicans |
Mary Barnes |
Frozen Assets |
| Song of a Nomad Flute (Set & Costumes) |
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| BAY AREA PLAYWRIGHTS FESTIVAL (Palace of the Legion of Honor, S.F.) |
1979 |
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| Kid Twist |
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REGIONAL OPERA AND BALLET |
| OPERA FESTIVAL OF NEW JERSEY (Mc Carter Theatre, Princeton, and N.J. Performing Arts Center, Newark) |
1998 |
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| The Marriage of Figaro |
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| SAN FRANCISCO OPERA CENTER (Theatre Artaud & Stern Grove) |
1988-1992 |
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| Rosina |
Ariodante |
La Finta Giardiniera |
| OPERA SAN JOSÉ (California Theatre) |
2011 |
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| Pagliacci |
La Voix Humaine |
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| OPERA SAN JOSÉ (Montgomery Theatre) |
1987, 1991 |
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| Lucia di Lammermoor |
Tosca |
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| BALLET THEATRE SAN JOSÉ |
1997 |
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| Beauty and the Beast |
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PROFESSIONAL AWARDS |
| BACK STAGE WEST GARLAND AWARD FOR EXCELLENCE IN WEST COAST THEATRE |
1998 |
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| The Guardsman |
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| BAY AREA CRITICS CIRCLE BARBARA BLADEN PORTER AWARD FOR CONTINUED CREATIVE EXCELLENCE |
1998 |
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| THEATRE L.A. OVATION AWARD |
1995 |
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| Man Of La Mancha |
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| BAY AREA THEATRE CRITICS CIRCLE AWARDS |
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| The Seafarer – 2009 |
Grey Gardens – 2009 |
Caroline, or Change – 2009 |
| The Who's Tommy - 1997 |
Man of La Mancha - 1995 |
The Secret Garden - 1995 |
| Ah, Wilderness! - 1994 |
The World Goes 'Round - 1994 |
Breaking the Code – 1988 |
| BAY AREA THEATRE CRITICS CIRCLE NOMINATIONS |
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| The Light in the Piazza – 2010 |
Sunlight – 2010 |
Ragtime - 2003 |
| The Hairy Ape - 2003 |
The Royal Family - 1997 |
A Little Night Music - 1996 |
| All In The Timing - 1996 |
Cabaret - 1996 |
The Playʼs the Thing - 1995 |
| Lips Together, Teeth Apart -1994 |
Three Hotels - 1994 |
Oh, Kay! - 1994 |
| Les Liaisons Dangereuses -1992 |
Miami Lights – 1991 |
Jacques and His Master - 1990 |
| Hedda Gabler - 1989 |
The Birthday Party - 1987 |
Scar - 1985 |
| Mary Barnes - 1981 |
All Night Long - 1980 |
The Red Snake - 1979 |
| HOLLYWOOD DRAMA-LOGUE CRITICS' AWARDS |
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| Crazy For You - 1996 |
The Playʼs the Thing - 1995 |
Wilder! Wilder! Wilder! - 1994 |
| Ah, Wilderness! - 1994 |
Breaking the Code - 1988 |
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| DEAN GOODMAN CHOICE AWARDS |
1999, 2002 |
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| Ragtime |
The Joy Luck Club |
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EXHIBIT |
| GENSLER AND ASSOCIATES, ARCHITECTS (S. F.) Art Series XIII, Theatre Design |
1986 |
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PUBLICATIONS |
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| Theatre: Collaborative Acts, by Ronald Wainscott & Kathy Fletcher |
| Set design for Waiting for Godot, American Conservatory Theatre, production photograph p. 237 |
| PRINCETON UNIVERSITY PRESS |
2002 |
|
| The Play of Space: Spatial Transformation in Greek Tragedy, by Dr. Rush Rehm |
| Set, Costumes, and Projections for Euripides' Suppliant Women, cover photograph |
| HOWARD UNIVERSITY PRESS |
1996 |
|
| Ancient Songs Set Ablaze: The Theatre of Femi Osofisan, by Dr. Sandra L. Richards |
| Set and costume designs for Farewell to A Cannibal Rage, fig. 7-12 |
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TEACHING |
| Professor, Set Design, Period Style |
San Francisco State University |
1997- present |
| Lecturer, Stagecraft, Period Style |
San Francisco State University |
1993-1997 |
| Lecturer, Set & Costume Design |
Stanford University |
1995 |
| Lecturer, Scenic Design, Period Style |
San José State University |
1992-1993 |
| Assistant Professor, Set & Costume Design |
Stanford University |
1983-1992 |
| Lecturer, Scenic Design |
City College of San Francisco |
1982 |
| Lecturer, Stage Properties |
San Francisco State University |
1979-1982 |
| Lecturer, Scenic Design |
Santa Rosa Junior College |
1979 |
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TEACHING AWARDS |
| CELEBRATION OF SCHOLARLY AND CREATIVE ACTIVITIES HONOREE |
1996 |
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| San Francisco State University |
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| DEAN'S AWARD FOR EXCELLENCE IN TEACHING |
1986-1987 |
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| Stanford University |
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DESIGNS FOR COLLEGE AND UNIVERSITY THEATRES |
| SAN FRANCISCO STATE UNIVERSITY |
1998-2010 |
|
| Vinegar Tom |
A Streetcar Named Desire |
Julius Caesar |
| M. Butterfly |
The Miser |
The Rover |
| SAN JOSÉ STATE UNIVERSITY |
1992 |
|
| The Gospel at Colonus (Set & Costumes) |
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| STANFORD UNIVERSITY DEPARTMENT OF DRAMA |
1983-1992 |
|
| Set and/or Costumes for over 30 productions, including (partial list): |
| Suppliant Women |
The Changeling |
The Normal Heart |
| The Taming of the Shrew |
Tartuffe |
The Colored Museum |
| All's Well that Ends Well |
The School for Women |
Farewell to a Cannibal Rage |
| Macbeth |
The Seagull |
Sweeney Agonistes |
| The Tempest |
Trelawny of the "Wells” |
The Melody that Got Lost |
| Twelfth Night |
La Ronde |
The Illusion |
| As You Like It |
Balm in Gilead |
Rosencrantz and Guildenstern Are Dead |
| Arden of Faversham |
Jacques and His Master |
The Maids |
| PCPA THEATREFEST (Solvang/Santa Maria, CA) |
1985 |
|
| Painting Churches |
Gypsy |
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| THE WESTERN STAGE (Salinas, CA) |
1983-1984 |
|
| Foxfire |
The Hostage |
The Importance of Being Earnest |
| The Time of Your Life |
Romeo and Juliet |
As You Like It |
| Broadway |
Annie |
The Sound of Music |
| SOUTHERN CALIFORNIA CONSERVATORY THEATRE (Cerritos/La Mirada) |
1981-1982 |
|
| Working |
West Side Story |
|
| SUMMER REPERTORY THEATRE (Santa Rosa, CA) |
1979 |
|
| A Streetcar Named Desire |
Witness for the Prosecution |
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COLOR CONSULTING |
| GERSHWIN THEATRE (INTERIOR) S. F. Shakespeare Festival / University of San Francisco |
1996 |
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| PRIVATE RESIDENTIAL VICTORIAN EXTERIORS (San Francisco) |
1983-present |
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SET RENTALS |
| THROUGH THE AMERICAN MUSICAL THEATRE OF SAN JOSÉ |
1995-2003 |
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| Papermill Playhouse (NJ) |
N. Carolina Musical Theatre (Raleigh) |
Fifth Avenue Theatre (Seattle) |
| Long Beach Civic Light Opera |
Theatre Under the Stars (Houston) |
McCoy-Rigby Entertainment |
| Music Theatre of Wichita |
Santa Barbara Civic Light Opera |
Bass Performance Hall (Dallas) |
| Music Theatre of Southern Calif. |
Aladdin Theatre (Las Vegas) |
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| THROUGH THEATREWORKS |
2003 |
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| Walnut Creek Light Opera |
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EDUCATION |
| MFA, Scenic Design |
Carnegie-Mellon University |
1982 |
| MA, Theatre Arts |
San Francisco State University |
1979 |
| BFA, Drama |
Illinois Wesleyan University School of Drama |
1975 |